Edward Kennedy Ellington (Duke Ellington)
1899 - 1974
American
Summary
Beginning keyboard studies at the age of seven, Ellington's earliest influences were the ragtime pianists. He taught himself harmony at the piano and at 17, made his professional debut. Encouraged by Fats Waller, he moved to New York in 1923 and, during the formative Cotton Club years, experimented with and developed the style that would quickly bring him worldwide success and recognition. Ellington would be among the first to focus on musical form and composition in jazz using ternary forms and "call-and-response" techniques in works like Concerto for Cootie (known in its familiar vocal version as Do Nothin' till You Hear from Me) and Cotton Tail and classic symphonic devices in his orchestral suites. In this respect, he would influence the likes of Monk, Mingus, and Evans.
Biography
Born 29 April 1899 in Washington DC, composer, bandleader, and pianist Edward Kennedy ("Duke") Ellington was recognized in his lifetime as one of the greatest jazz composers and performers. Nicknamed "Duke" by a boyhood friend who admired his regal air, the name stuck and became indelibly associated with the finest creations in big band and vocal jazz. A genius for instrumental combinations, improvisation, and jazz arranging brought the world the unique "Ellington" sound that found consummate expression in works like "Mood Indigo," "Sophisticated Lady," and the symphonic suites Black, Brown, and Beige (which he subtitled "a Tone Parallel to the History of the Negro in America") and Harlem ("a Tone Parallel to Harlem").
Beginning keyboard studies at the age of seven, Ellington's earliest influences were the ragtime pianists. He taught himself harmony at the piano and at 17, made his professional debut. Encouraged by Fats Waller, he moved to New York in 1923 and, during the formative Cotton Club years, experimented with and developed the style that would quickly bring him worldwide success and recognition. Ellington would be among the first to focus on musical form and composition in jazz using ternary forms and "call-and-response" techniques in works like Concerto for Cootie (known in its familiar vocal version as Do Nothin' till You Hear from Me) and Cotton Tail and classic symphonic devices in his orchestral suites. In this respect, he would influence the likes of Monk, Mingus, and Evans.
Among Ellington's many honors and awards were honorary doctorates from Howard and Yale Universities, membership in the American Institute of Arts and Letters, election as the first jazz musician member of the Royal Music Academy in Stockholm, and the Presidential Medal of Freedom.
Several arrangements and editions by Jeff Tyzik are available to orchestras, including: The Nutcracker Suite and Ellington Portrait, and The Essential Ellington: Music of Ellington and Strayhorn.
Beginning keyboard studies at the age of seven, Ellington's earliest influences were the ragtime pianists. He taught himself harmony at the piano and at 17, made his professional debut. Encouraged by Fats Waller, he moved to New York in 1923 and, during the formative Cotton Club years, experimented with and developed the style that would quickly bring him worldwide success and recognition. Ellington would be among the first to focus on musical form and composition in jazz using ternary forms and "call-and-response" techniques in works like Concerto for Cootie (known in its familiar vocal version as Do Nothin' till You Hear from Me) and Cotton Tail and classic symphonic devices in his orchestral suites. In this respect, he would influence the likes of Monk, Mingus, and Evans.
Among Ellington's many honors and awards were honorary doctorates from Howard and Yale Universities, membership in the American Institute of Arts and Letters, election as the first jazz musician member of the Royal Music Academy in Stockholm, and the Presidential Medal of Freedom.
Several arrangements and editions by Jeff Tyzik are available to orchestras, including: The Nutcracker Suite and Ellington Portrait, and The Essential Ellington: Music of Ellington and Strayhorn.
News
Performances
16th April 2024
- PERFORMERS
- PostClassical Ensemble
- CONDUCTOR
- Angel Gil-Ordóñez
- LOCATION
- John F. Kennedy Center for the Performing Arts, Washington, DC, United States of America
16th April 2024
- PERFORMERS
- ANGEL GIL-ORDONEZ
- CONDUCTOR
- Angel Gil-Ordóñez
- LOCATION
- John F. Kennedy Center for the Performing Arts, Washington, DC, United States of America
16th April 2024
- PERFORMERS
- Dallas Symphony
- CONDUCTOR
- Enrico Lopez-Yanez
- LOCATION
- Waters Creek, Plano, TX, United States of America
17th April 2024
- PERFORMERS
- Dallas Symphony
- CONDUCTOR
- Enrico Lopez-Yanez
- LOCATION
- Waters Creek, Plano, TX, United States of America
20th April 2024
- PERFORMERS
- Augusta Symphony Orchestra
- CONDUCTOR
- Dirk Meyer
- LOCATION
- The Miller Theatre, Augusta, GA, United States of America
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- Socially Distanced Onstage Works
- With times of uncertainty ahead for the classical music community, we have compiled a selection of repertoire for small orchestra and chamber ensembles that allows for onstage social distancing.