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Rolf Wallin

Publisher: Chester Music

Under City Skin (violin version) (2009)
Under City Skin was commissioned by the Risør Festival of Chamber Music with funding from Det Norske Komponistfond and premiered by Lars Anders Tomter and the Risør Festival Strings conducted by Christian Eggen in Risør Church on 24 June 2009. The version for violin, string orchestra and surround sound was commissioned by Peter Herresthal in 2016. It was premiered by Peter Herresthal and Oslo Camerata conducted by Øyvind Bjørå in the Marble Hall of Sentralen, Oslo, on 17 September 2016, during the Ultima Contemporary Music Festival.
Work Notes
2016 Version for violin, strings and surround-sound electronics
Chester Music Ltd
Soloists and Orchestra
Sub Category
Soloists and String Orchestra
Year Composed
30 Minutes
Solo Instrument(s)
Alternate Orchestration
Viola; 5vn.4vn.3va.2vc.db/Electronics, Pre-recorded
Programme Note
Rolf Wallin Under City Skin (violin version) (2009)
The bestiaries of the middle ages, the zoological dictionaries of the time, are astonishing reading. The Dragon, the Unicorn and the Mermaid appear effortlessly alongside the Lion, the Horse and the Cat, and the real animals are given very odd characteristics:

– The pelican mother kills her offspring. After three days she revives them by letting blood from her own chest fall on them.
– A dog that crosses a hyena's shadow will lose its voice.
– A snake that tastes the spit of a fasting man will die.
– The blood of a he-goat can dissolve a diamond

In our time we know better. Or do we? Maybe we still hold an unconsciously mythological relation to the world around us, in spite of its modernisation and urbanisation? Perhaps many of the things we see and hear in the urban jungle contain hidden meanings for us, perhaps they carry strong histories of power, fear, yearning and bliss?

The Mercedes. The High-heeled Shoes. The Park at Night. The Cash Register. The Bus. The City Hall Bells.

In Berlioz's famous viola concerto, young Harold goes to Italy to broaden his mind. Here our protagonist goes under the skin of the city sounds, in a quest to find out what forces are hiding within.

Programme note © 2009 Rolf Wallin

  • Ensemble
    Arctic Philharmonic
    Peter Herresthal, violin
    Øyvind Bjorå
Idiomatically reconceived from its viola original, Under City Skin (2009) places violin and string orchestra in the context of ‘surround sound’ to provide an evocative ambience over four sharply contrasted movements which reach a culmination in the gritty ostinato interplay of ‘Locomotive’, before this subsides into the balm of ‘Pastorale’.
Richard Whitehouse, Gramophone,01/07/2018
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