Augusta Read Thomas
b. 1964
American
Summary
A composer featured on a Grammy-winning CD by Chanticleer, Augusta Read Thomas' impressive body of works embodies unbridled passion and fierce poetry. The New Yorker magazine called her "a true virtuoso composer." Championed by such luminaries as Barenboim, Rostropovich, Boulez, Eschenbach, Salonen, Maazel, Ozawa, and Knussen, she rose early to the top of her profession. Later, as an influential teacher at Eastman, Northwestern, Tanglewood, now she is the 16th ever University Professor (one of five current University Professors) at The University of Chicago. Former Chairperson of the American Music Center, she has become one of the most recognizable and widely loved figures in American Music. Thomas was the longest-serving Mead Composer-in-Residence for Daniel Barenboim and Pierre Boulez with the Chicago Symphony from 1997 through 2006, a residency that culminated in the premiere of Astral Canticle — one of two finalists for the 2007 Pulitzer Prize in Music. During her residency, Thomas not only premiered nine commissioned works, but was central toward establishing the thriving MusicNOW series. She won the Ernst von Siemens Music Prize, among many other coveted awards. She is a member of the American Academy of Arts and Sciences, and a member of the American Academy of Arts and Letters.
Five Questions to Augusta Read Thomas by I Care if you Listen:
• May 2024
• October 2015
Critical Acclaim
Thomas’ music, particularly her orchestral music, fairly explodes with an extroverted boldness of utterance audiences and musicians alike find challenging yet immediate. It’s music that doesn’t sound like anybody else’s — music that insists you pay attention.—Chicago Tribune
“...Thomas’ music from the outset [has] clarity of conception and precision of gesture (whether in the briefest of instrumental miniatures or in large-scale orchestral works), which act as the focus of her often intricate textures and iridescent harmonies – thereby ensuring that her work exudes an immediacy and a communicativeness whatever its degree of complexity and dissonance.”
—Richard Whitehouse, Gramophone Magazine, September 2014
"a true virtuoso composer"— The New Yorker
“Ms. Thomas was in control of every nuance in these vividly colorful pieces”— The New York Times
"...the vividly imaginative instrumental palette that Thomas has at her fingertips...established her as one of the most distinctive and rewarding US composers...” — The Guardian, London
“Augusta Read Thomas writes precisely calibrated music of refined beauty. Her works are in the repertory of several A-list players and ensembles.”— David Weininger, Boston Globe
“Heart and soul in the breathtaking music of a thoughtful contemporary composer. Thomas's brainy brand of modernism reveals a lively, probing mind allied to a beating heart.”— Donald Rosenberg of Gramophone
"The reason I compose music is to express gratitude.” — Augusta Read Thomas
Biography
The music of Augusta Read Thomas (b. 1964 in New York) is nuanced, majestic, elegant, capricious, lyrical, and colorful – "it is boldly considered music that celebrates the sound of the instruments and reaffirms the vitality of orchestral music.” (Philadelphia Inquirer)
In February 2015, music critic Edward Reichel wrote, "Augusta Read Thomas has secured for herself a permanent place in the pantheon of American composers of the 20th and 21st centuries. She is without question one of the best and most important composers that this country has today. Her music has substance and depth and a sense of purpose. She has a lot to say and she knows how to say it — and say it in a way that is intelligent yet appealing and sophisticated.”
The New York Times article of March 6, 2015 states that Thomas had the distinction of having her work performed more frequently in 2013-2014 than any other living ASCAP composer, according to statistics from performing rights organization. Former Chairperson of the American Music Center, she serves on many boards, is a generous citizen in the profession at large, and, according to the American Academy of Arts and Letters, "has become one of the most recognizable and widely loved figures in American music.”
A composer featured on a Grammy-winning CD by Chanticleer, her impressive body of works embodies unbridled passion and fierce poetry. The New Yorker magazine called her "a true virtuoso composer." Championed by such luminaries as Barenboim, Rostropovich, Boulez, Eschenbach, Salonen, Maazel, Ozawa, and Knussen, she rose early to the top of her profession.
As an influential teacher at Eastman, Northwestern, Tanglewood, Aspen Music Festival, now she is the 16th ever University Professor (one of only 7 current University Professors) at the University of Chicago. She has said, "Teaching is a natural extension of my creative process and of my enthusiasm for the music of others.” She founded the Center for Contemporary Composition at the University of Chicago.
Thomas was the longest-serving Mead Composer-in-Residence for Daniel Barenboim and Pierre Boulez with the Chicago Symphony from 1997 through 2006, a residency that culminated in the premiere of Astral Canticle – one of two finalists for the 2007 Pulitzer Prize in Music. During her residency, Thomas not only premiered nine commissioned orchestral works, but also was central toward establishing the thriving MusicNOW series on which she commissioned and programmed the work of many living composers. For the 2017-2018 season, Thomas was the composer-in-Residence with Eugene Symphony Orchestra, Francesco Lecce-Chong, Music Director and Scott Freck, Executive Director. Thomas was name 2016 Chicagoan of the Year.
Augusta envisioned, and spearheaded EAR TAXI FESTIVAL, a 6-day-long new music festival in October 2016 celebrating the vibrant and booming classical contemporary music scene in Chicago. 350 musicians, 53 world premieres, performances of 35 already existing works, 25 ensembles, 88 composers, and 5 installations.
Recent and upcoming commissions include those from the Boston Symphony, the Utah Symphony, Wigmore Hall in London, JACK quartet, Third Coast Percussion, Tanglewood, the Danish Chamber Players, Notre Dame University, and the Fromm Foundation. She won the Ernst von Siemens Music Prize among many other coveted awards. She is a member of the American Academy of Arts and Sciences and of the American Academy of Arts and Letters.
G. Schirmer, Inc. is the exclusive publisher of her music worldwide for all works composed until December 31, 2015. Nimbus Music Publishing is the exclusive publisher of her music worldwide for all works composed after January 1, 2016. Her discography includes 77 commercially recorded CDs.
Ms. Thomas studied composition with Oliver Knussen at Tanglewood (1986, 1987, 1989), Jacob Druckman at Yale University (1988), with Alan Stout and Bill Karlins at Northwestern University (1983-1987), and at the Royal Academy of Music in London (1989). She was a Junior Fellow in the Society of Fellows at Harvard University (1991-94) and a Bunting Fellow at Radcliffe College (1990-91). Thomas has also been on the Board of Directors of the American Music Center since 2000, as well as on the boards and advisory boards of several chamber music groups. She was elected Chair of the Board of the American Music Center, a volunteer position that ran from 2005 to 2008. She is University Professor (one of six University Professors) at The University of Chicago. Augusta was MUSICALIVE Composer-in-Residence with the New Haven Symphony, a national residency program of The League of American Orchestras and Meet the Composer. Augusta has been on the Board of the ICE (International Contemporary Ensemble) for many years; is a member of the Advisory Committee of the Alice M. Ditson Fund; is on the Board of Trustees of The American Society for the Royal Academy of Music; is a Member of the Conseil Musical de la Foundation Prince Pierre de Monaco; and is on the Eastman School of Music's National Council.
— September 2023
For specific inquiries about this composer, please contact ed.matthew@schirmer.com.
News
- Orchestra of St. Luke’s Celebrates Matthew Aucoin and Augusta Read Thomas
- 27th November 2024
- Celebrating its 50th anniversary this season, Orchestra of St. Luke’s presents several performances in the innovative Visionary Sounds series at The DiMenna Center for Classical Music.
- Nimbus Records Releases All-Augusta Read Thomas Album, Dream Catcher
- 5th January 2023
- On January 6, 2023, Nimbus Records releases Dream Catcher, an album of violin music by Augusta Read Thomas.
- German performance of ‘Words of the Sea’ by Augusta Read Thomas
- 1st May 2022
- On May 5th, the HR Sinfonieorchester will perform Augusta Read Thomas' Words of the Sea, conducted Brad Lubman
- Augusta Read Thomas Featured in a New Composition Podcast
- 12th April 2021
- Miller Theatre at Columbia University launches a new podcast on Tuesday, April 13, 2021. In six episodes, Mission: Commission demystifies the process of how classical music gets made, lifting the curtain to reveal the...
- French premiere of 'Selene' by Augusta Read Thomas
- 9th February 2020
- The impetus of dance is never far from the surface of this exhilarating score, which melds the complementary natures of a percussion quartet and a string quartet to produce a study in inexorable rhythmic...
- Betsy Jolas US premiere by Boston Symphony | Concert Openers
- 25th October 2019
- As the 2019-20 season gets underway, the Boston Symphony and its music director Andris Nelsons will give the US premiere of Letters from Bachville by the French-American composer Betsy Jolas on November 7 2019. The...
Performances
26th January 2025
- PERFORMERS
- Charles River Wind Ensemble
- CONDUCTOR
- Matthew M. Marsit
- LOCATION
- Boston College, Chestnut Hill, MA, United States of America
2nd April 2025
- PERFORMERS
- MACE
- CONDUCTOR
- David Fulmer
- LOCATION
- Tishman Auditorium at The New School, New York, NY, United States of America
22nd April 2025
- PERFORMERS
- University of South Carolina Symphony
- CONDUCTOR
- Edvan Rodrigues Moraes
- LOCATION
- Koger Center for the Arts, Columbia, SC, United States of America
Features
- The Best Recordings of 2022 from Wise Music Classical
- Wise Music Classical invites you to enjoy a selection of the best recordings of 2022, featuring composers from across our international family of publishing houses.
- Celebrating Women Composers
- Join Wise Music Group in celebrating the works of our female composers with this new brochure for 2024
- Independent Repertoire: Inspired by American Art and Writing
- Many composers have drawn potent inspiration from American art and poetry. The Unite States’ visual art and writing have been particularly influential on several generations of American composers, as represented by the following works.
- Happy 60th Birthday to Augusta Read Thomas
- Augusta Read Thomas is one of the U.S.’s most recognizable and beloved composers. In addition to writing music of “unbridled passion and fierce poetry” (American Academy of Arts and Letters), she is University Professor of Composition at the University of Chicago, where she has championed new music through founding the Chicago Center for Contemporary Composition and its resident Grossman Ensemble.
- The Best Recordings of 2023 from Wise Music Classical
- Wise Music Classical invites you to enjoy a selection of the best recordings of 2023, featuring composers from across our international family of publishing houses.
Photos
Discography
- LabelNimbus
- Catalogue NumberNI8109
- ConductorVimayi Kaziboni
- EnsembleBBC National Orchestra of Wales
- SoloistClarissa Bevilacqua, violin
- Released6th January 2023
- Works
- LabelNavona Records
- Catalogue NumberNV6485
- SoloistErik Rohde, violin; Jacob Tews, viola
- Released9th December 2022
- Works
- LabelNimbus
- Catalogue NumberNI 6427
- ConductorNorman Scribner
- EnsembleChoral Arts Society of Washington
- SoloistCarmen Pelton, soprano
- Released1st April 2022
- Works
- LabelXAS
- Catalogue Number109
- SoloistTimothy McAllister, saxophone; Liz Ames, piano
- Released24th July 2020
- Works
- LabelCantaloupe Records
- Catalogue Number21117
- EnsembleAlarm Will Sound
- SoloistKirsten Sollek and Caleb Burhans
- Released29th April 2016
- Works
- LabelReference Recordings
- Catalogue NumberFR-719
- ConductorThierry Fischer
- EnsembleUtah Symphony
- Released1st April 2016
- Works
- LabelNimbus Records
- Catalogue NumberNI 6323
- Released1st April 2016
- Works
- Catalogue Number190394035860
- SoloistAriana Kim
- Released17th December 2015
- Works
- LabelOberlin Music
- Catalogue NumberOC 15-05
- ConductorTimothy Weiss
- EnsembleOberlin Contemporary Music Ensemble
- SoloistGeorge Sakakeeny, Bassoon
- Released1st November 2015
- Works
- LabelNimbus Alliance
- Catalogue Number6306
- Released10th July 2015
- Works